Promotion Time!

Stolen Treasure is now only 99p!

Some secrets are intended to stay buried...

In 1809 Elizabeth Matthews shares many a childhood adventure with her soul-mate, Thomas Lamb, son of the estate’s handyman.
Elizabeth is entrusted with the safe keeping of a tin box by her Mama but instead, leaves the task to Thomas’s father Joseph. However, life in the windswept north-east coastal village of Alunby is left behind when she is promptly sent away to be schooled in the city of York.
Risking her reputation, and a possible marriage match, Elizabeth dreams of the day when the secret inside the tin box will be revealed to her, and goes on a journey of rediscovery to find Thomas and seek out the stolen treasure.
Some secrets were intended to stay buried, however, what Elizabeth discovers is of greater value than she could ever have imagined.

‘Great read, especially for the price!’

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King Ludd & trouble at the mills!

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The term ‘Luddite’ is widely used even today, but its origins are shrouded in both truth and myth.

Two names that are supposed to have been associated with it are Ned Ludd and King Llud. Whatever the truth, the term has stayed in common language. Today it is used to describe someone  who is averse to technical change, but its origins stemmed from men who thought they were fighting to save their livelihoods and their families from being destitute.

Since medieval times the wool trade had been of great importance to the working people of our nation. Traditionally women and their children spun the yarn and the menfolk were skilled loom weavers. Each piece of cloth was then taken to market to be sold in the Piece Halls. In the early nineteenth century new inventions took over this traditional family method of making and selling cloth.

With new cotton and wool mills growing in size and numbers, the workers that left their villages to work in them need not be so skilled. They could be taught a task and become part of the overall process.

The volume of cloth produced could therefore be increased. Uniformity and scale of production would be guaranteed by the use of these wider weaving machines. But the downside was that the employment was no longer a cottage industry, but required a central approach, breaking up communities and leaving men without the means to feed their families. With the price of food, particularly bread increasing, the men felt somehow their concerns needed to be heard.

The actions of a man allegedly called Edward Ludlam also knonw as ‘Ned Ludd’ in 1779 was given the label ‘Luddite’. He was accused of breaking two frames in anger. So when in Nottingham in 1811 groups of weavers gathered and planned attacks on targeted mills to destroy the machines that had taken away their livelihood, the term ‘Luddite’ was used again and stuck.

These attacks spread to Yorkshire and other counties and continued for a number of years. Groups banded in numbers of up to three figures, but surprisingly few were actually caught or hanged.  Some were transported, perhaps unjustly, as those who were accused of being part of a gathering or an attack would have little defence heard to save them. King Llud was used on letters of demand to add weight to their threats and demands.

In 1812 The Frame Breaking Act made the breaking of stocking-frames a capital felony, hence allowing the death penalty to be given to those caught. Rewards were offered, but the local people were the very families of the men who were trying to stop a revolution of machine replacing manual labour, soit was unlikely that many would provide information. It is also likely they would be in danger if they were discovered by the gang members. It was a battle they could never win,

The government and the mill owners did not listen to their pleas. Workers, including young children, were paid low, had no say over their conditions and were often exploited.This was exactly the situation Phoebe and Thomas escaped from in Phoebe’s Challenge. As mills developed not all owners were as harsh (they were by comparison to today’s working practices) but some introduced education, shorter hours for children and healthier diet and living conditions. This is where the idea for Laura’s Legacy came from.

Just click on the link to see how Phoebe rises toe the chalenge or how Laura’s Legacy survives!

Laura's Legacy

 

FOR THE LOVE OF WRITING: INSPIRATION AND MOTIVATION

picture1In previous blog posts I have looked at how to keep yourself fit for the task of writing thousands of words and then how to set realistic goals to achieve them. Before moving on to looking at the actual writing of the fiction, two factors play an important part in beginning and completing the process: inspiration and motivation.

Where do you get your inspiration from?
What motivates you to write fiction?
These two questions are asked to many authors and the answers may be as varied as the individuals who the questions are posed to.

I am constantly inspired by anything from a name, a newly learned and intriguing little known fact, a place that sparks an idea or a simple overheard statement. Inspiration is all around us, we just have to be open to it and use our imaginations to ask that simple question: “What if?”

Once inspired to write, then motivation kicks in to drive our effort so that the idea turns into a real manuscript. We can be both inspired and motivated at the same time by reading our favourite author’s work.

Here are a just a few common motivators:

  • To escape from reality into a world of our making that we may or may not share with others.
  • To earn money (realistically, this is not an easy industry to break into or make a liveble wage from.)

Whatever your inspiration, you need the motivation to keep going, learning and growing as a writer; going beyond rejection to reach that place of acceptance and becoming a published author.If you choose to write for your own enternment that is fine. Once published there are always those who will look upon your work negatively and leave reviews to say so. This should not stop you writing what you want to, but the choice and opportunity to become published does mean that you have to accept the positive and negative reviews alike. Ultimately we have to believe in what we do.

Learn from those who have done it and also from any of their early mistakes, so that you can avoid some of the common errors yourself. Accept that it is all part of undertsanding the business and put rejection and destructive criticism aside, which is why I share author interviews, whilst taking on board the constructive advice.

Once you are keen to begin your project, then set your realistic goals and be determined!

You can network at conferences, online and in local writing groups. Or invest in a reputable course, join in schemes such as The New Writers’ Scheme run by the Romantic Novelists’ Association and seek professional feedback.

Writing is a lonely business. I am often asked how can you teach a person to write a novel or short fiction. My answer is simple: imagination can be encouraged not taught. It has to spark from within the writer. However, there are common errors new writers make as they learn their craft that can be corrected. Every person, every student that I have had the pleasure of teaching over many years has been unique. Therefore, my feedback is always tailored to the individual. If you have a manuscript that you are working on at the moment, or have finished, and would like constructive, professional feedback on, then please contact me on vholmesauthor@gmail.com for a quote.

What inspires or motivate you to write?

Meet Sophie Duffy!

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When did you discover your love of books?

I could read before I started school so as long as I can remember I’ve loved books. Mum or Dad read to me every night and once they’d tucked me up, I would hide under the bedclothes with a torch, up late (a notoriously bad sleeper all my life), with a heap of books, looking at the pictures and making up stories until I could make out the text. I loved Ladybird books (which I still have on my bookshelves), Enid Blyton, especially Mr Pink-Whistle and Amelia Jane, and ‘Twinkle’, the comic I got every week as we lived above the newsagent’s run by my parents in Torquay.

When did you decide that you wanted to write your own?

I wrote a lot of stories when I was a child but that fizzled out by the time I reached secondary school when I was more concerned with Wham! and boys. At university I studied English and wrote bad poetry. It wasn’t until my children were small that I went to a creative writing class at the adult education college. By the end of that first lesson I was hooked, and knew I wanted to be a writer. I was 33. It was another ten years before I had my debut novel published.

What can a reader expect from a Sophie Duffy novel? 

The reader can expect a nostalgia-fest with a few tears and laughs along the way. They will get a blended, dysfunctional family or group of friends, and a main character trying to negotiate their hazardous journey through the world with all its ups and downs.

Change and facing the difficulties that this presents is a strong theme in your novels. How much of an influence has change in your own life experience driven the empathy you create for your own protagonists?

 The one certainty in life is that we will face change. It’s how we adapt to change that marks us as individuals. Sometimes we resist change, sometimes we embrace it. We might make bad decisions. We probably will. And it’s the repercussions of these decisions that echo down the years that I am interested in as a writer.

 

The award winning The Generation Game (The Yeovil Literary Prize 2006 and Luke Bitmead Bursary 2010) confronts many issues including childhood abandonment and buried secrets. Where did the idea for this acclaimed novel come from?

The idea for ‘The Generation Game’ came from a short story wot I wrote. The idea for the story came from my early childhood when we lived above the newsagent’s (also a sweetshop/tobacconist’s) in the early 70s. Sadly, my father took his own life when I was ten which I suppose counts as abandonment of sorts, so maybe that is why I am drawn to this as a theme. Love and loss go hand in hand but I truly believe that love – often from unexpected places – conquers all. I have bitter sweet memories (if you’ll pardon the pun) from this era, as do most of Generation X who grew up in the golden years of Saturday night television. We have seen several of our childhood icons fall by the wayside in the wake of Operation Yewtree. Thank goodness for Sir Brucie is all I can say.

This Holey Life (runner up of The Harry Bowling Prize 2008) is another successful novel that looks at change and faith with humour, yet balanced reality. What was the greatest challenge this project posed?

I was worried that readers might be put off by a vicar’s wife as a main character but felt encouraged when I saw ‘Rev’ on the television, a sitcom which looks at life in the church and all the eccentric characters that make up a spiritual community. It’s not a ‘Christian’ book as such but a story that embraces life with all its flaws and imperfections.

 

You are part of the Creative Writing Matters team. How much do you enjoy sharing what you have learned with new writers?

It’s brilliant! I know how much I have learned and continue to learn from other writers. I know that being a writer is a life long process and that I receive more from my students than they get from me. Administering the Exeter Novel Prize and the Exeter Story Prize has also been a revelation. Having read hundreds of thousands of words over the years, I understand more about what makes good writing and good storytelling. I hope this feeds into my own work!

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What key piece of advice would you give to an, as yet, unpublished author?

If it’s what you really want, then keep trying. Don’t give up. Enter competitions where your writing will be both read and considered. Keep writing. Read a lot. Listen to feedback, sit on it, and when it rings true, rewrite, edit, submit.

 

What is next for Sophie?

I have just signed a contract for the next book. All I can say for now is the novel involves two ninety year old ladies, one of whom is the queen. Watch this space…

Catching up with Sue Moorcroft!

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It has been exciting to catch up with Sue Moorcroft to see all that has happened in her career since I interviewed her back in September 2014.

Hi Sue and welcome back! I know that 2016 has proved to be an exciting year for you, so tell us how much has changed.

This is an interesting idea – to be asked to update an old interview! I’m genuinely surprised by how much has happened in a little over two years and really thrilled that so much of what I was just beginning to work towards in 2014 has come to pass.

I had to look at my life and make some decisions. I wasn’t getting where I wanted to be writing-wise and I felt under tremendous time-pressures. I examined everything I did under three headings:
– What makes me happy/unhappy
– What’s good for me/bad for me
– What earns me money

My first move was to drop a column I was writing for free. It was about one of my passions, Formula 1, but it was spoiling the races for me as instead of just enjoying them I was making notes and thinking about angles.

A far less easy decision was to step away from the chair of the Romantic Novelists’ Association. The RNA is another passion of mine but being vice-chair was not only gobbling up hundreds of hours a year but putting me under stress at a time when I had other stresses. The RNA is a big part of my life and I felt that I’d let everyone down but I can’t regret that decision.

Encouraged by the success of the above I realised that instead of waiting for a contract with a big publisher, which would enable me to drop a lot of teaching work and the less lucrative writing, I had to drop it first. With more time and free of rigid and frequent deadlines I could concentrate on that elusive contract.

Did it work?

I think so. The Christmas Promise was sold to Avon Books UK (HarperCollins) as their lead title and has climbed the Kindle UK charts. The paperback goes on sale in the UK on 1 December. Fischer in Germany made it their lead title, too, it will come out with Bazar in Denmark and there’s an Italian offer in the wind.

What teaching I do undertake is pretty much to my own schedule and in 2017 will involve Dubai and Italy.

Getting to this stage involved a big leap of faith along with good fortune and a good agent but, looking back, I wouldn’t change those decisions. As well as achieving more commercial success I’m happier and more relaxed and can enjoy my writing more.

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Award-winning author Sue Moorcroft writes contemporary women’s fiction with occasionally unexpected themes. A past vice chair of the Romantic Novelists’ Association and editor of its two anthologies, Sue also writes short stories, serials, articles, writing ‘how to’ and is a creative writing tutor. She’s won a Readers’ Best Romantic Read Award and the Katie Fforde Bursary.
Sue’s latest book is The Christmas Promise. It’s about Christmas, hats, revenge porn, being skint, a WAG called Booby Ruby and a marketing plan that goes viral. Also Ava and Sam.
Website: www.suemoorcroft.com
Blog: https://suemoorcroft.wordpress.com/
Facebook: sue.moorcroft.3
Facebook author page: https://www.facebook.com/SueMoorcroftAuthor
Twitter: @suemoorcroft
Instagram: suemoorcroftauthor
Google+: google.com/+Suemoorcroftauthor
LinkedIn: https://www.linkedin.com/in/suemoorcroft
Amazon author page: Author.to/SueMoorcroft

OAPSchat goes from strength to strength!

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Catching up with Janice Rosser founder of OAPSchat!

Jan’s motto is ‘ONWARDS AND UPWARDS!’ which seems to be the way her brainchild, OAPSchat the community site targeted at over 55’s, is going.

So here is Jan to tell us about it…

Since you interviewed me in 2014, OAPSChat has grown and grown! In June 2014 I was delighted to be one of the recipients of The Independent on Sunday Top 100 Happy List Award. I wrote a blog for the website describing the experience.

My mother passed away on September 1st 2014 and fortunately Margaret my sister and I were both at her side when she died peacefully in my house.

Suddenly I was no longer a carer. Mum’s words to me when she was dying are still with me. “Make an even bigger success of the website love and bring people together to try and end loneliness. You and Margaret have looked after me so well and I have been really lucky having you both.”

Congratulations on The Independent on Sunday Top 100 Happy List Award, but I am very sorry that you lost your mum. She must have been very proud and appreciative of both you and Margaret and the loving care you took of her.

So…… since then, so much has happened. I have been on local radio twice, interviewed my folk hero Ralph McTell, along with Dr Mark Porter, the owner of Laithwaites Wines, and many more celebrities. I appeared in Wetherspoons magazine in March 2015.

I evaluate many products for companies and send out a monthly newsletter to over 480 people.

I have 126 wonderful contributors now and over 1130 articles for people to read and comment on. Ranked at just over 12,000 in UK website rankings as at 11/11/2016, 2016 is drawing to a close better and busier than ever.

So what do you plan for 2017?

My aim is to hopefully be in the top 5,000 UK websites and to be the most popular online community magazine. The purpose for starting the website was to help combat loneliness and bring together people from all walks of life to forge new friendships and online companionship. This has certainly happened, but there is still a long way to go. My ‘baby’ born in November 2013 is now a toddler at three years old this month and true to toddler behaviour is more demanding and growing at a rate that I never thought possible!

I hope you hit the 5,000 ranking!

I love what I do and have met and am meeting new people all the time. One never stops learning and almost every day I receive a new article or write about a different topic myself.

I hope you have a very Merry Christmas Valerie and a Happy and Healthy New Year and thank you for inviting me back for an update.

It is inspiring to read about your progress with this extremely valuable site. I wish you, your family and OAPschat community a Merry Christmas and a very happy, prosperous and healthy 2017!

Click to read Jan’s original interview

An Interview with Carole Blake

[Update: 27/10/2016]

It is with great sadness and total shock that I have learnt that Carole died last night. She was an amazing lady and inspiration to many, myself included. My sincere condolences to her family, her many friends, colleagues and authors that she represented and respected so much. She will be greatly missed.

Val


My guest this month is Carole Blake, a lady whose amazing career has taken her from working as a secretary in a packaging company to forming the incredibly successful London literary agency, Blake Friedmann. This journey involved becoming the first Rights Manager for Michael Joseph, then Marketing Director at Sphere, before starting up her own agency in 1977. Five years later she merged with Julian Friedmann’s Agency.

Throughout this time Carole has worked tirelessly to develop the careers of her authors and yet still found time to serve on many boards and institutions to contribute to the industry she loves so much. In 2013 Carole was the recipient of the Pandora Award for her ‘significant and sustained contribution to the publishing industry’.

Photo by Jack Ladenburg

Carole Blake, co-founder of Blake Friedmann. Photo by Jack Ladenburg.

Welcome, Carole!
Did your childhood inspire and nurture your love of books?

My childhood home didn’t have many books, but I was always focussed on them & asked for them as presents. I can remember my first ever rag-books (made of a linen-like material) that I used to ‘read’ in the bath before I could actually read. I loved turning the pages and pretending. Once I could read, my early favourites were the Rupert books, which I still have, with my parents’ messages & dates written inside. When I was 8 I asked for a bookcase for my Christmas present. I got it (& only relinquished it when I moved house 8 years ago). I then set out to catalogue and categorise all the books I owned. I worked out a complicated system of letters and numbers and wrote them inside each book, then listed them all against their titles and authors. Very proud of it. Some years later when I discovered the Dewey System I was crushed. I had thought I was being entirely original!

Was it challenging for a woman in your early career to progress in the industry as you did?

I don’t remember it as difficult. I answered an advert in the Evening Standard, went for an interview & got the job. I commuted from Mitcham in Surrey to Marble Arch, & found myself – a working class girl, in a cotton dress and a white cardigan – working as a secretary to a team of university-educated art experts working on a multi-volume art encyclopedia. I kept a low profile, soaked up information like a sponge (including which pieces of cutlery to use when we went out to restaurants) and made friends there (50+ years ago) that I am still in touch with. It was literally a life-changing experience.

Who inspired you the most to keep moving forward? Are you naturally self-motivated to achieve?

The lovely people I worked with at Rainbirds, in my first job, were extremely encouraging. Working there for 8 years kick-started my life-long love of art. It introduced me to the classics (I compiled a company-wide order of Penguin paperbacks every few months. We could get a discount if we ordered 30 or more. Soon I stopped asking anyone else to mark up the Penguin stocklists, because I was ordering 30 at a time myself. I read my way through all the Russian and French novelists, and I remember crying on the no 16 bus as it went round Marble Arch because I finished Dostoyevsky’s The Idiot and found it unbearably sad. How nerdish is that for a teenager in the swinging 60s?

But later when I was marketing director of Sphere, Edmund Fisher fired me, quite rightly. I was running the marketing, publicity, rights and contracts departments and wasn’t juggling them very well. We were having a row – we had a very volatile relationship over the three companies and 12 years that I worked with him – and I was in the middle of resigning. When I realised he was firing me I withdrew my resignation and sued for wrongful dismissal. I knew he hadn’t followed all the right procedures (indeed he hadn’t followed any procedures at all!) and as I was a director, I was employed by Sphere’s then owners, Thomson Newspapers, so he didn’t actually have the right to fire me at all. I won, they settled out of court, and I discovered I had a list of authors who wanted to be represented by me if I started an agency. So I did. The fact that Edmund fired me was the best thing ever to happen to me. I would never have had the courage to ask someone to stop paying me if he hadn’t. No one in my family had ever started a company. If I hadn’t been out of work for 6 months, dealing with lawyers it would never have occurred to me to do so.

You are also encouraging new blood into the publishing industry through your associations with UCLA postgraduate publishing course. Is this something you feel passionate about as much as discovering new writing talent?

Given my start in the industry, remembering how kind people were, and aware that it’s a much more difficult area to get work in now I think the least I can do is to encourage and help others into a business that has given me such a wonderfully satisfying lifestyle. I’ve been associated with other postgraduate publishing courses as well, and am always happy to talk to people wanting to get into the book world.

I am the only person in my company who doesn’t have a degree; many of my staff have several. I didn’t have to go through the purgatory of unpaid internships, which I think are morally indefensible: we pay our interns properly.

Whenever I can I try to introduce people to others in the industry who can be of use to them. We have actually employed more than a dozen of our interns over the years – it’s so much more successful than a 40 minute interview. We also have an annual get-together of all our past staff, past interns. It’s officially known as networking but we all know it’s a great gossip-fest. So great to see where people have moved on to. You might have heard of the singer Dido? She was my assistant for 4 years and was an ace at selling serial rights!

Her parents were both publishers. I work with her mother at Rainbirds in the 60s, sold books to her father when he was running Sidgwick decades later. He and I used to lunch together and regarded ourselves as in-laws while she was working for me. When she resigned ‘to spend more time on her music’ I gave her a very motherly speech. ‘Can’t guarantee to keep your job open Dido.’ I don’t think she’s ever wanted to come back to publishing again …

I do quite a lot of public speaking – at literary festivals, conferences (I’m an honorary vice-president of the RNA, a member of the HNS) and I teach a course on how to sell rights. I’ve been a board member of The Book Trade Charity, and its Chairman, and President over many years and am now a Patron.

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Your guide ‘From Pitch to Publication’ is widely used throughout the publishing industry. How much of a challenge has it been to update it?

An extreme challenge, as you can tell from the fact that I’ve not managed to deliver it yet. It took Boxtree (later to become an imprint of Macmillan) several years to persuade me to agree to write it in the first place. And then I renegotiated the delivery date several times, in order not to be in breach of contract (how embarrassing would that have been for a literary agent?). Same has happened with the contracted update/new edition. My agency is SO much bigger & busier than it was when I delivered the original manuscript – 20 years ago! – and so much has changed. I now know what I want to write, what I need to update, what I need to add … but time is the enemy. My editor at Macmillan (a friend) is understanding … up to a point. I now so want to have this new manuscript behind me. There are so very many more ways to promote a book now (social media?!) and I am now writing it but in such small spaces of time.

You represent many of my favourite authors, but two especially. Could you share with us what it was that you loved so much about ‘Lady of Hay’ and the amazing Barbara Erskine?
Likewise, when Elizabeth Chadwick’s first manuscript arrived on your desk did you instantly realise that you had found gold?

Two authors very close to my heart: both are good friends.

Barbara Erskine: I was already representing her short stories. She wrote many, and magazine editors around the world would line up for them. We had talked about an unusual novel she was thinking about writing. Two time periods, linked. We talked about it for a long time: years. I remember saying at the outset that it would be vital that every time, at the end of each chapter, the reader was required to move from present to past, from past to present, it must be a wrench. Each time period must be equally compelling, and hard to leave or the novel would be broken backed. Oh my … did she deliver. But although publishers and editors always ask for something new, a fresh voice – they always actually want something that is recognisable. I submitted the partial manuscript for 4 years. ‘I don’t know if it’s a contemporary novel, or a historical?’ Me: it’s both. ‘I don’t know if it’s a love story or a mystery?’ Me: it’s both. Every editor who arrived in a new job found the manuscript on their desk. When Maggie Pringle arrived at Michael Joseph in 1983, she read it, loved it, & recognised it as something fresh and new and exciting, and she was allowed to buy it even though it had been rejected twice by other Michael Joseph editors over the years. They auctioned paperback rights back then and it set a record for the highest paperback advance for a British first novel. This summer it celebrated 30 years continuously in print – quite something for a commercial novel. And it’s in print in many other languages too. In 2017 it will be celebrated for its 30th anniversary in German.
Barbara and I are friends. We’ve worked together for so long: we have even been on holiday together. That Nile cruise will never be forgotten. The only holiday that I’ve ever got a holiday-tie-in best-seller novel from – ‘Whispers in the Sand’! Barbara always stays with me at home when she’s in London overnight.

Elizabeth Chadwick: the early chapters of ‘The Wild Hunt’ arrived in the late 80s in a brown envelope – back in the days when submissions were made on paper, via snailmail. And back in the days when I opened my own mail every morning at my desk. I read it as soon as I opened the envelope and knew there was something very special in my hand. A few weeks later I had sold it, via auction, to hardback and paperback publishers (back in the days before publishers always published in both formats themselves.)

‘The Wild Hunt’ won a Betty Trask award, and Prince Charles was the person giving out the prizes for The Society of Authors that year. That was quite a memorable evening!
As with Barbara, this led to publishing success and a long and on-going friendship. Elizabeth stays with me when she’s in London too, and we often talk into the small hours.

I think it is unfair to ask you which are your favourite books or authors, but of all the novels you have read are there a few characters that really stayed with you? If so, why?

There’s no way I could choose between novels by my clients – I represent them all because they are so original, and so special. It would be like asking a mother to choose between her children! Not that I think of my best-selling authors are children for one moment. But the novels – apart from those written by my clients – that always stay with me are Dostoyevsky’s The Idiot (I finished it on a no 16 bus going round Marble Arch roundabout in the late 60s, crying my eyes out), and Alain Fournier’s Le Grand Meaulnes. A haunting work.

You have travelled extensively in your work, but where do you enjoy going to relax and explore?

Italy, always Italy. I go for art, music, food (and Negronis!), shopping. Venice, in particular if I had to pin it down more narrowly. I was lucky enough to take a sabbatical earlier this year and I spent 5 weeks in Italy: Florence, Siena, Padua, Mantua, Venice. Absolutely heaven.

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Is it your love of detail that first led you to becoming a collector of dolls’ houses and miniatures (OOAK)? Where did this begin? How is the collection growing?

I’ve always loved houses, furniture, interior decoration. My home is full now so miniatures are the way I buy furniture. I dare not add up the number of miniatures I own … they are stored in many boxes, and I’ve had to forbid myself to buy more until I’ve finished building the 5 floor Regency house which will be taller than me. And I’m forbidden to do any more work on that until I’ve delivered my next book. In addition to that house, I have a Georgian hand made one that I bought already finished. That is fully furnished. I also own an antiquarian bookshop which I made from a kit. Every book is real; they can be opened and read (with a magnifying glass). Most of them are miniature copies of real antique illustrated books that I buy from a particular maker whose work I really admire. I have more than 1000. And I have two more kits to build – they are going to become a row of shops. And then there is the greenhouse, and a conservatory, both full of flowers. My favourite collection though is mouth-blown cranberry glass. Five (miniature) cabinets full so far. The most satisfying thing I achieved myself, was laying a floor of terracotta tiles. Real tiles, 1:12 scale. Laying the tiles was easy: the grouting was murder, the air blue!

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What other interests do you enjoy away from the world of publishing?

Early music – I still buy cds because I enjoy the booklets. I’ve got about 5000, all stored on a hard drive and easy to find. But I also like Meat Loaf (that’s Elizabeth Chadwick’s fault!). Art – I always make time to go to exhibitions. I find cooking very therapeutic, and always have freezers-full of home cooked food. I enjoy a variety of crafts – I make greetings cards, keep scrapbooks, make jewellery (I have 1000s of beads, and like to buy them on my travels), and I love taking photographs (check out my 56 Pinterest boards, and my Instagram posts!). I took 8000 photographs during the 5 weeks in Italy. And of course reading. I read a lot of non-fiction for relaxation as a change from the fiction that I work with. I love history, memoir, African wildlife (I’ve been to Africa on safari many times). And I collect books about the publishing industry. I’ve recently taken up knitting and crochet again. But there’s not a lot of time to fit these in around work!

You have achieved a great deal in your career, but what is next for Carole Blake?

I’ve got to make time to finish the new book. Then I can get back to (miniature) house building …

Thank you for the fascinating insight into your career and for sharing some personal photographs of your lovely miniature worlds!